At present I am experimenting with solar developing, creating negatives then printing on various materials. It has been a lengthy learning curve and I have learned that more isn't better in terms of time in the developer, that our hard water makes it very difficult to wash out the undeveloped dye, and that Borax helps with that (thank you Sally). Also high contrast negatives are imperative.
I was introduced to the dyes through a studio visit to Cris Winter in Saranac Lake NY, where she was making botanical prints on fabric for her work. This process hasn't really taken off in Canada and so I have to bite the bullet and pay the exchange and shipping for what are actually low-priced materials -- if you live in California -
One lucky break was a store in North Vancouver selling them off and my Katie just happening to be travelling home to Ontario at the time. So my stockpile is OK for now.
My subject is an exploration of pre and early 20C family photographs that offer socio-historical windows into those times.
I was introduced to the dyes through a studio visit to Cris Winter in Saranac Lake NY, where she was making botanical prints on fabric for her work. This process hasn't really taken off in Canada and so I have to bite the bullet and pay the exchange and shipping for what are actually low-priced materials -- if you live in California -
One lucky break was a store in North Vancouver selling them off and my Katie just happening to be travelling home to Ontario at the time. So my stockpile is OK for now.
My subject is an exploration of pre and early 20C family photographs that offer socio-historical windows into those times.
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